Gender Games

Bertrand Mandico makes an auspicious feature film debut with his audacious fantasia “The Wild Boys.” Shot on 16mm, and mostly in luminous black and white, the film recounts the story of Tanguy (Anaël Snoek) and his friends, who are dubbed “wild boys.” Comment

Bitter Farewell

Every scene in Syrian director Talal Derki’s “Of Fathers and Sons” is carefully placed to make a point. A portrait of a family dominated by Abu Osama, a soldier with the Salafi Islamist […] Comment

Object Lessons


Object Lessons

Jim (Harris Dickinson), the hero of writer/ director Steve McLean’s highly stylized drama “Postcards from London,” is “young, fit, and has the face of an angel.” He also has a glaring weakness: when he encounters an artistic masterpiece, like a Titian in a London gallery, he faints. Jim is that sensitive to beauty. Comment

Buddies Breaking Bad


Buddies Breaking Bad

The stylish Argentine crime drama “El Angel” recounts the robbery and murder spree of baby-faced Carlos (Lorenzo Ferro), a teenager in 1971 Buenos Aires who became the nation’s longest serving criminal inmate. The film, co-written and directed by Luis Ortega, recounts several of Carlos’ crimes, often committed with Ramón (Chino Darín), a classmate he was attracted to. Comment

Western Curios


Western Curios

When the Coen brothers’ six-part “The Ballad of Buster Scruggs” was originally announced, I wondered if it were a mini-series condensed into a film, given that its distributor is Netflix. The lines between cinema and television are very thin these days. Now that I’ve seen “The Ballad of Buster Scruggs,” I know that each segment’s length differs. While some could fruitfully be expanded to be an hour, others are miniatures. They are supposed to be stories collected in an illustrated book. Still, the weakest is the shortest, “Near Algodones,” which doesn’t do much beyond establishing a mood of (literal) gallows humor. Comment

He Was the Champion


He Was the Champion

The official credits of the Freddie Mercury biopic “Bohemian Rhapsody” are deceptive. Due to Director’s Guild of America regulations that only one director can be credited, Bryan Singer […] Comments (1)

When Words Fail


When Words Fail

Out gay writer/ director Yen Tan’s poignant, quietly powerful drama “1985” has Adrian (Cory Michael Smith), a gay man, returning home to Fort Worth for what is likely his last Christmas. The words gay and AIDS are never spoken in the film — a deliberate conceit on Tan’s part — but they inform this perceptive drama, based on the director’s earlier short film of the same name. Comment

Gone Before We See Him


Gone Before We See Him

The well-meaning drama “Boy Erased,” based on Garrard Conley’s memoir about his experiences in a gay conversion therapy program, is a TV movie-of-the-week dressed up as Oscar bait. Written and directed by Joel Edgerton, the film is geared largely toward heterosexuals unfamiliar with the insidious practice. Comment

A Subtle Inevitability

The central incident in “Life and Nothing More,” made in Florida by Spanish director Antonio Méndez Esparza, comes 90 minutes in. This film doesn’t exactly depart from narrative, but its reliance on a three-act structure isn’t clear early on thanks to an elliptical style. Méndez also wrote the script. While Santiago Oviedo edited it, the decisions to begin and end each scene on odd beats are probably those of Mendez, too. If he were a drummer, he wouldn’t stick to the rigid pulse of a metronome’s beat and tempo. Comment
NewFest, New York’s LGBT Film Festival screens at area venues October 24-30. This year’s edition features nearly 150 shorts, documentaries, and features from around the world. Most notable is the inclusion of “Rafiki,” from Kenya, about two teenagers in love that was banned there for “promoting lesbianism” — but unavailable for screening. Comment

Drawing the Moment

James Crump’s striking documentary “Antonio Lopez 1970: Sex, Fashion & Disco” celebrates the Puerto Rican-born, New York-based illustrator whose life was as vibrant and colorful as his drawings. In the late 1960s and early ‘70s, Lopez (1943-1987) cemented a reputation in work for The New York Times, Women’s Wear Daily, and Vogue, among other publications. Comment

Salem Possessed


Salem Possessed

Take an op-ed about social media’s negative impact on teenage girls and the rest of us, adapt it into a narrative film somewhere between Harmony Korine’s “Spring Breakers” and Oliver Stone’s “Natural Born Killers,” and you have Sam Levinson’s “Assassination Nation.” You’ve also got the worst new film I’ve seen in 2018. If it belly-dives as cinema, it’s a very telling symptom of American culture’s inability to come to terms with the impact of Facebook and Instagram. Comment

The Suicide Vests of Cherbourg

Dennis Cooper has left an impressive mark on gay fiction, with his George Miles cycle and five subsequent novels. In the past two years, he’s turned to screenwriting in collaboration with French director Zac Farley, making “Like Cattle Towards Glow” and “Permanent Green Light.” Comment

Never All That Great

In his novel “Requiem For a Nun,” William Faulkner wrote, “The past is never dead. It’s not even past.” That quote is now too famous for director Robert Greene to use an epigraph for his hybrid non-fiction film “Bisbee ’17,” but it’s a very fitting way to describe a movie whose imagery suggests an American version of the Holocaust tied together with premonitions of our contemporary disastrous xenophobia. Comment

Poignantly Quiet Desperation

A 4K restoration of out gay filmmaker Terence Davies’ landmark 1988 feature debut “Distant Voices, Still Lives” gets a week-long run at the Metrograph starting August 31. The film, a bleak and lyrical drama, tells the story of a working class family in 1950s Liverpool in two parts. The first half, “Distant Voices,” features the death of the father (Pete Postlewaite) and how his wife (Freda Dowie), and children, Eileen (Angela Walsh), Tony (Dean Williams), and Maisie (Lorraine Ashbourne), remember him. The second half, “Still Lives,” which is set and shot two years later, focuses on the children getting married and, in some cases, starting their own families. Comment

Apocalypse Any Day Now

A 63-minute 3D non-narrative film inspired by a hurricane’s impact on Texas, Blake Williams’ “Prototype” is undoubtedly going to be the most adventurous film to get a theatrical release in New York this year (even if it’s telling that this is happening at a museum). So far Abbas Kiarostami’s “24 Frames” is its only real competition. Comment

The Ballroom Scene


The Ballroom Scene

“Hot to Trot” is director Gail Freedman’s fabulous, crowd-pleasing documentary about same-sex ballroom dancing. The film profiles two couples, Ernesto Palma and Nikolai Shpakov in New York and Emily Coles and Kieren Jameson in San Francisco, over four years, starting in 2012. Freedman gracefully captures the beauty and energy of the dancers — as well as the tensions that arise — as they prepare for the 2014 Gay Games and a nail-biter of a competition. Comment

The Age of Discovery

Justin Torres’ messy, heartbreaking novel “We the Animals” has been adapted for the screen by director Jeremiah Zagar, who co-wrote the script with gay playwright Dan Kitrosser. The result is a messy, heartbreaking, and compelling film full of hard-edged realism and moments of magical realism. Comment
Greenwich Village

The Wrong Lessons

The gaining of self-knowledge is at the heart of “The Miseducation of Cameron Post,” bisexual filmmaker Desiree Akhavan’s (“Appropriate Behavior”) bittersweet adaptation of Emily M. Danforth’s novel about a teen forging her independence and finding her identity in the face of repression. Comment
Greenwich Village

Faith and Absolution

People commonly say that the dividing line between art and entertainment is that only the former is challenging. But what exactly that means is up for debate: the books of Jane Austen and films of Howard Hawks certainly count as art, but there’s nothing particularly difficult about “Sense and Sensibility” or “His Girl Friday.” With time, the innovations of the past — like Frank Sinatra making the first pop album devised as a cohesive whole with “In the Wee Small Hours” — become commonplace and mainstream. Comment
Greenwich Village

A Pimp’s Own Story

Filmmaker Matt Tyrnauer’s documentary “Scotty and the Secret History of Hollywood’ is an expansion of Scotty Bowers’ 2012 tell-all memoir, “Full Service,” about his experiences as a pimp for closeted celebrities. Comment
Greenwich Village

Le Mot Juste

Greenwich Village

Le Mot Juste

Rob Tregenza has worn many hats: distributor, director, cinematographer. His company Cinema Parallel released films by Michael Haneke, Jean-Luc Godard, Jacques Rivette, and Béla Tarr in the US before going under in the late 1990s. He went on to work as a cinematographer for Tarr, as well as Alex Cox. However, he’s only been able to direct three more films since completing “Talking To Strangers” in 1987, and although he’s American, his latest, “Gavagai,” was shot in Norway. Comment

Queer Brazil on Film

Queer Brazil on Film

A program of six shorts and five features depicting LGBTQ life in Brazil — all of them New York City premieres — will screen in the Bartos Screening Room at the Museum of the Moving Image in Astoria, July 28-29. A full rundown of the weekend’s program, co-presented with Cinema Tropical and presented in Portuguese with English subtitles, follows. Comment

Blood Will Out

Blood Will Out

“Good Manners” is a strange and wondrous fable. A Brazilian fantasy and stinging social commentary, it features motherhood, lesbian passions, and werewolf instincts, plus a few musical numbers thrown in for good measure. The film is the brainchild of co-writers/ directors Juliana Rojas and Marco Dutra, the latter whose boyfriend John Trengove directed last year’s “The Wound.” Comment
The 1990s and early aughts were a golden age of fashion, largely for the presence of two genius designers, John Galliano and (Lee) Alexander McQueen, who would have been great in any age. Galliano’s brilliance lay in his glorification of romance — and sex — filtered through the prism of couture’s history and its myriad techniques, all of it brought together like the richest of banquets. McQueen was much darker and edgier, always pushing the envelope of good taste and the latest technology, whether it be in his dazzlingly fresh fabrications, the use of robots on his runway, or the butt cleavage visible in his scandalous “bumster” low-riding trousers, which put him on the map. Comment

Nico, Nuanced This Time

Nico, Nuanced This Time

A 1995 documentary about German-born singer Nico, whose real name was Christa Päffgen, is titled “Nico Icon.” Italian director Susanna Nicchiarelli’s narrative film “Nico, 1988” pulls her off that pedestal and turns her back into a human being. Nico’s 15-year period of heroin addiction and status as a beautiful woman who acted in Fellini and Warhol films and sang with the Velvet Underground have both long been romanticized. One of the achievements of “Nico, 1988” is showing that touring clubs holding 200 people for most of the year in order to make a living while having to shoot heroin into one’s foot is a major bore. Comment

Walking Away From It All

Director Lauren Greenfield’s film “Generation Wealth” is the third version of her dystopian take on contemporary American culture sharing that name, following a collection of photos printed in a monograph and shown in New York at the International Center of Photography last year. Comment

Beat the Heat, Cinematically

The dog days of summer are already here, with wilting heat that makes escaping into an air-cooled moviehouse a highly sensible thing to do. Comment

Dystopia Spiked With Wit

Politics and silliness are supposed to be enemies. In fact, the way the alt-right rose by its hiding its true hatefulness beneath a veneer of irony and politically incorrect humor has soured some people on the whole idea of comedy. Comment

Body Work

“A Skin So Soft” is Denis Côté’s hypnotic observational documentary about six Canadian bodybuilders. The men, identified slowly throughout the film, are introduced doing mundane things in their daily lives — eating, brushing their teeth, even moisturizing. They are also seen working out, flexing, and, in the case of Maxim, using his body stre Comment

A Life of Genius and Jealousies

Lisa Immordino Vreeland’s “Love, Cecil” is an affectionate documentary portrait about the famous gay British author, designer, painter, and photographer Cecil Beaton (1904-1980). The film is a magnificent showcase for Beaton’s work as well as his thoughts about style and his impressions of people — he candidly refers to Katharine Hepburn as “a dried-up boot.” Through his copious diary ent Comment

When that Child Truly is a Surprise

"Ideal Home” is a diverting comedy by out gay writer/ director Andrew Fleming. Erasmus (Steve Coogan) is the egocentric host of a cable TV food show produced by his partner Paul (Paul Rudd). The bickering couple must figure out how to be good parents when Erasmus’ grandson Bill (Jack Gore) unexpectedly turns up on their doorstep. Comments (1)

Love’s Ingredients

In out gay director Ofir Raul Graizer’s heartfelt drama, “The Cakemaker,” Tomas (Tim Kalkhof) is a German baker whose affair with married Israeli businessman Oren (Roy Miller) ends abruptly when Oren dies offscreen. Grieving, Tomas travels to Jerusalem where he takes a job working in the kosher café owned by Oren’s widow, A Comment

Passing It On

A man spends a decade of his life toiling from one dead-end job to another, getting treated like crap by his employers, gradually realizing that this is what being working-class in Brazil (or anywhere) means, and turns his life’s struggles into something that can be transmitted to another person by keeping his diary. But it’s Comment

Four Approaches to “Marlina the Murderer”

Reviewing director Mouly Surya’s “Marlina the Murderer in Four Acts,” critic Peter Bradshaw very bluntly summed it up as “Leone meets Tarantino in Indonesia.” Put that simply, it sounds like a screenwriter’s pitch from Robert Altman’s “The Player,” though I can actually imagine the director approaching Comments (1)

AIDS’ Political Lessons

It has been 33 years since the initial release of “Buddies,” the first feature film to depict AIDS. On June 22, the Quad Cinema is giving moviegoers a week-long opportunity to see a new 2K restoration of this classic of independent queer cinema. The film was written and directed by Arthur J. Bressan, Jr., who himself died of AIDS in 1987, less than two years after “B Comment

Born Free

The opening scene of “Gabriel and the Mountain,” has two African villagers finding the corpse of Gabriel Buchmann (João Pedro Zappa) on the side of Mount Mulanje in Malawi. This touching character study then flashes back 70 days to recount the experiences Gabriel had, the people who knew him in Africa, and, eventually, his de Comment

A Trilogy at 30

The Quad Cinema is offering moviegoers a one-night-only opportunity on June 12 to see the 1988 film adaptation of Harvey Fierstein’s Tony Award-winning 1982 play. And with the recent success of the Off-Broadway production of Fierstein’s ̶ Comment

Death at the Door

Director Ari Aster’s feature debut “Hereditary” is no ordinary horror film. Alas, it’s neither fish nor fowl: stumbling as successful genre fare while masquerading as the family drama it purports to be. Containing two funerals and opening with a title card announcing an elderly woman’s passing, it wears its fa Comment

Their Child’s Place

In the compelling drama “A Kid Like Jake,” directed by trans filmmaker Silas Howard, Alex and Greg Wheeler (Claire Danes and Jim Parsons) grapple with having a gender non-conforming four-year-old son named Jake (Leo James Davis). Alex and Greg are anxious to get Jake into a competitive kind Comments (1)

Fifty Shades of Grey Gardens

It all began as a news item that were it not for the parties involved would have merited little attention In the fall of 1971, the township of Georgica Pond, in Long Island’s East Hampton, became alarmed at the decrepit state of a summer home that appeared to be abandoned but was in fact occupied by a pair of reclusive woman: Edith Ewing Bouvier Beale and her daughter Edi Comments (3)

Women Steer a Careening Narrative

There are several penises on display in queer, evergreen enfant terrible Bruce LaBruce’s amusing anarchist-feminist comedy “The Misandrists.” The first one seen belongs to Volker (Til Schindler), a wounded criminal who stops twice to urinate while on the lam. Comment

A Young Girl’s Gaze

European and Iranian directors have made many films about children that are not really intended to be seen by them. If a six-year-old girl watched her on-screen counterpart in Catalan director Carla Simón’s “Summer 1993,” she would probably reach for a Blu-ray of last year’s Pixar animated hit “Coco” within Comment

Spring Blossoms

On April 3, the Quad Cinema had a splashy celebration marking its one year anniversary since its big remodelling. If you haven’t been to the venerable movie house, founded in 1972, you’re in for a pleasant surprise. It’s been gleamingly overhauled into a state of the art venue, with an affordable wine bar, the seating is no longer the narrow, tortured affair it was Comments (2)

A Blunt Honesty

Many films have been made by men about women who become avenging angels in response to male violence. Most are exploitative crap that voyeuristically focus on rape scenes. A few are genuinely great: Abel Ferrara’s “Ms. 45,” Takashi Miike’s “Audition,” and Paul Verhoeven’s “Elle.” Comments (1)

A Bomer Bomb

The modest queer love story, “Anything,” written and directed by Timothy McNeil and based on his play, packs far too much drama into its 93 minutes. It would almost work better as a TV series or a miniseries (like “Tales of the City,” which it somewhat resembles), where its potentially interesting characters could be better developed. Comment

#MeToo’s Hurdles in China

Let’s retire the phrase “this is the movie we need now” from reviews and headlines. It just feeds into the shallow topicality dominating so much film criticism right now. That said, Chinese director Vivian Qu’s “Angels Wear White,” while made in Asia before the #MeToo movement began, intersects with it in intriguing ways. It also rhymes with “Revenge,” th Comments (1)

When the ‘60s Were Over

The 1990s were a golden age for world cinema, as the New Waves taking place in Iran and “the three Chinas” matured and finally came to the West’s attention. France also went through a resurgence after a fallow period when the major filmmakers who followed the French New Wave were largely ignored and the 1980s gave us the vacantly fashionable debuts Comments (2)

Women — and Their Audience — on the Verge

Miguel Arteta makes squirm-inducing movies. His 2000 comedy-drama “Chuck & Buck” is a classic of uncomfortable cinema. Last year’s “Beatriz at Dinner” was also awkward — and rather nasty. His latest film, “Duck Butter,” which he co-wrote with bisexual actress Ali Comment

Adrift in the Colonies

Two things describe Argentine director Lucrecia Martel’s characters: they’re never really alone and the help others offer them is rarely truly benign. Her debut, “La Ciénaga,” showed an extended family going to seed and placing themselves unknowingly in danger over the course of a humid summer. It borrowed from Renoir and Altman in its choice to avoid settlin Comment

Grace Jones Revealed

How does anyone approach the inimitable, indomitable Grace Jones? The singer/ actress/ model turns 70 this year and still has impeccably sculpted legs and cheekbones, a distinctive, throaty voice, her androgynous appearance, and an outré sense of fashion. She is utterly unconventional and totally alluring. In a remarkable documentary, “Grace Jones: Bloodlight and Bami,̶ Comment

Tribeca’s Rich Offering of Queer Cinema

The Tribeca Film Festival, unspooling at half a dozen Lower Manhattan venues April 18-29, features several LGBTQ films and filmmakers. While not every queer-focused title was available for preview, a handful of features, documentaries, shorts, and special programs were. Comments (7)

A Brutal World Largely Unchallenged

Scottish director Lynne Ramsay’s “You Were Never Really Here” goes out of its way to (1) show the audience how grimdark it is and (2) suggest that Joe (Joaquin Phoenix), its hitman protagonist is an unreliable narrator (Joe is undoubtedly not his real name) whose brain nonetheless dictates the film’s POV. The soundtrack mixes abrasive avant-garde Comments (2)

Queering the Whodunit

Sleek and smart, “Gemini,” written and directed by Aaron Katz, is a delicious slow-burn mystery. Comment

Andrew Haigh’s Emotional Acuity

Is there some special insight LGBTQ folks posses? In my most copasetic moments, I’ve thought this to be true. After all, being disenfranchised by the status quo offers one the possibility of a keener perspective on its workings than that enjoyed by those who aren’t obliged to question it in order to survive. Think of what Oscar Wilde, Noël Coward, and Gertrude Stein Comments (1)

Young Blood and a Wide Net

The multi-national co-production credits for films in this year’s “New Directors/ New Films” series say a lot about its reach: Sri Lanka/ United Kingdom/ USA, Iran/ Canada/ Qatar, Dominican Republic/ Brazil/ Argentina. In the five years since long-time Film Society of Lincoln Center programmer Richard Peña quit that organization, the New York Fil Comment

Soderbergh Bets Again on the Movie House

An experiment with contemporary technology steeped in an equally trendy suspicion of the modern world, Steven Soderbergh’s “Unsane” is the second feature-length film shot entirely on an iPhone, after Sean Baker’s great trans comedy-drama “Tangerine.” Comment

Murder and Other Games

The French filmmaker Laurent Cantet, who won the Cannes Palme d’Or for his 2008 film “The Class” about a high school teacher and a multicultural classroom, returns to the teacher/ student dynamic with his latest drama, “The Workshop.” This engrossing new film is set in La Ciotat, a coastal town in southern France where novelist Olivia Déjazet (Marina F Comments (2)

A Disturbing Bond

There is something fascinating about watching a character make a series of increasingly bad decisions on screen. On that score, Laura (out bisexual actress Evan Rachel Wood), the reckless lesbian protagonist of the discomfiting drama “Allure,” surely does not disappoint. Brothers Carlos and Jason Sanchez, who wrote and directed this intriguing f Comments (1)

A Heroine Too Too

Moments in Ava DuVernay’s “A Wrinkle in Time,” adapted from Madeleine L’Engle’s classic 1962 children’s novel, are stunning, especially in their use of color. Yet in the end, this is the kind of film that feels the need to have a soundtrack featuring Sade literally serenading its heroine telling her she’s “the flower Comment

A Second Spring

Belgian director Bavo Defurne’s sophomore feature, “Souvenir,” is a lush, emotional romance he co-wrote and co-produced with his husband, Yves Verbraeken. Comment

Stardust Memories

Attention New Yorkers of a certain age nostalgic for the 1980s avant-garde East Village arts scene. It’s time to rejoice, for a supreme survivor is back to evoke those glory days, and beyond. Comments (3)

Latin American Cinema's Frontier

“Neighboring Scenes” ends on the day the 2018 Oscars take place, when the Chilean transgender melodrama “A Fantastic Woman,” which unfortunately turns its heroine’s grief into a voyeuristic wallow, and Mexican-born director Guillermo del Toro’s excellent “The Shape of Water” might take home prize Comments (16)

Edie Windsor’s Victory — and Much More — In Barely an Hour

Donna Zaccaro accomplishes a whole lot in just 62 minutes. Her new film, “To A More Perfect Union: United States v. Windsor” — which screens in the coming week as part of the Winter Film Awards 2018 International Film Festival — not only tells the personal story of the remarkable woman who triumphed over the Defense of M Comments (1)

Intimate Look at AIDS’ Toll on an LA Couple

The “Film Comment Selects” series at the Film Society of Lincoln Center is having a 25th anniversary screening of “Silverlake Life: The View from Here” on February 25 at 4:30 pm. Comments (3)

A Void Inside a Void

It’s very fitting that Russian director Andrey Zvyagintsev’s “Loveless” opens in the US in winter. An arctic chill runs through this film, which begins and ends with images of snow-covered tree branches over a pond. In between, it tells the story of a marriage dissolving as the couple’s child disappears. The cinematography is notably dim, even Comment

Re-Toolng the Great American Songbook

New York can be such a small town, especially if you’re in the business of show. It had been a hectically busy week and I’d had to reschedule an interview with actress/ singer Lena Hall, who then coincidentally popped up that same day performing with John Cameron Mitchell at the opening night/ birthday party for Trudie Styler and her film “Freak Show” at the Public. With her genius, elec Comment

A Panic Defense Abandoned

The chilling ID TV documentary “Love and Hate Crime: Double Lives” chronicles Josh Vallum, a 29-year-old man in Mississippi who murdered his girlfriend, Mercedes Williamson, in 2015 when, he said, he discovered she was transgender. The film features interviews with Vallum in prison recounting the crime. As director Ben Steele’s documentary unspools, Comment

Less Than the Sum of Its Parts

Out gay writer and director François Ozon’s new film “Double Lover” plays with his favorite twinned themes of secret lives and shifting identities. Comments (1)

Kiarostami’s Final Scene

“24 Frames” actually consists of 24 four-and-a-half-minute non-narrative short films made by the late Iranian director Abbas Kiarostami. In 2016, three years into production on the project — created using software with the aid of visual effects supervisor Ali Kamali — Kiarostami passed away and the film was completed in post-production under the dir Comment

Prejudice and Pride

Marina (Daniela Vega), the transgender title character in director and co-writer Sebastián Lelio’s compassionate, moving drama “A Fantastic Woman,” is first seen singing in a nightclub. Her boyfriend, Orlando (Francisco Reyes), has just arrived and his smile as he watches her perform indicates just how smitten he is. The couple soon head off for a birthday Comment

An Idiosyncratic, Skewed Take on 1968

Brazilian director João Moreira Salles’ sprawling documentary “In the Intense Now,” which could be summed up as a chronicle of the worldwide political revolts of 1968, begins with the promise of hope, change, and revolution. It ends with death, despair, and a Portuguese-language pop song whose singer urges the listener to put re Comment

A Drifter’s Gift

In the nifty little sleeper “The Revival,” now out on VOD and DVD, Zachary Booth gives an electrifying performance as Daniel, a drifter who turns up at the Southern Baptist church where Eli (David Rysdahl) is a preacher. The two men quickly initiate a clandestine relationship. However, their taboo fling becomes increasingly problematic — especially when Eli’s wife, June (Lucy Faus Comment

Misfits and Matinee Idols

Trudie Styler, actress, producer, philanthropist, and the wife of rock god Sting, adds another accomplishment to her cornucopia of achievements, with “Freak Show,” her engaging, funny, and uplifting debut directorial feature film. Based on the novel by former notorious club kid James St. Jame Comment

Uncivil Society

“I wish Ariel Sharon had wiped you all out.” Comment

Original Sin

In a statement in the press kit of “Vazante,” Brazilian director Daniela Thomas describes her country as “perhaps, the most miscegenated people on the planet.” Fifty percent of Brazilians have some African blood, and official versions of its history often claim it has achieved some kind of “post-racial” harmony. Comment

Under the Lens and Now Under Fire

“Anatomy of a Male Ballet Dancer” goes on stage, in the dressing rooms, and on tour with Marcelo Gomes, the out gay, Brazilian-born ballet dancer. Several days after this interview was conducted, Gomes resigned from American Ballet Theatre following an allegation of sexual misconduct that the company said took place eight years ago and “did not occur in relation to his employment duties w Comment

Navigating Spaces Off the Map

The terrific queer-themed Israeli film “In Between” is writer/ director Maysaloun Hamoud’s absorbing drama about three Palestinian women living together in Tel Aviv. Leila (Mouna Hawa) is a lawyer. Her roommate Salma (Sana Jammelieh) is a closeted lesbian who slowly acts on her attraction to Dunya (Ahlam Canaan). These women lik Comment


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