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Doubtless you’ve been reading a lot about Kevin Spacey lately. The chickens — or in this case chickenhawks — have come home to roost for the two-time Academy Award-winning actor whose penchant for “barely legal” youths has been well-known for decades and completely tolerated by an entertainment industry that will stand for anything insofar as the person responsible has “market value” — something that may have slipped away for Spacey once and for all. But Spacey’s modus operandi — slipping his hand down the pants of lads he’s taken a fancy to reminded me of a sexual importunist who crossed my path 55 years ago. Comments (3)
Arts

The Oppression Within

Arts

The Oppression Within

“The Heiresses,” Paraguay’s official Oscar submission, is a subtle and moving character study about Chela (Ana Brun), whose lover, Chiquita (Margarita Irun), is sent to prison for bank fraud. Alone and adrift, Chela drives her neighbor Pituca (María Martins) around to card games. Eventually, she meets Angy (Ana Ivanova), a beautiful young woman who also employs Chela’s taxi service. Comments (1)
Arts

Liberating the Body

Arts

Liberating the Body

When Romanian director Adina Pintilie’s “Touch Me Not” won the top prize at the 2018 Berlin Film Festival, it wasn’t a typical consensus favorite. The scenes at a BDSM club have made some spectators and critics uneasy. But “Touch Me Not” isn’t softcore porn; if anything, it’s painfully earnest. Pintilie’s film is a hybrid of fiction and documentary elements whose premise evokes Steven Soderbergh’s “sex, lies and videotape.” Pinitilie depicts herself on a quest to show subjects searching for intimacy and trying to find sex and love in a world with very narrow beauty standards. Comment

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